WEST POINT THEATRE COMPANY
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Audition Information:
Audition Workshop: Monday, Aug. 10th (Required)
Voice & Acting Auditions: Tuesday, Aug. 11th (Required)
Cold Read/Vocal Callbacks: Wednesday, Aug. 12th (by invitation)
Movement Callback: Thursday Aug. 13th (by invitation)
Performance Dates: October 21st-23rd 2026


Be sure to pick up an audition packet from Mr. Alvarez before auditions. The packet includes everything you need, including audition requirements, character breakdowns, audition materials, and instructions for signing up for an audition time.
Note: You must sign up for an audition time slot in advance.


Audition Workshop:
All students auditioning for Little Shop of Horrors are required to attend the Audition Workshop on Monday, August 10, from 3:30–4:30 PM in Room 1125 (Theatre Room).  During the workshop, we will walk through the audition process and answer any questions you may have. Mrs. Frazier will help you learn and practice your audition song, while Mr. Alvarez will be available to work with you on your monologue, offering guidance on characterization, delivery, and performance. 
This workshop is designed to help you feel confident and prepared for your audition, regardless of your experience level. Attendance is expected for all students planning to audition.
 
Vocal/Acting Auditions (Required for EVERYONE):
As part of your audition for Little Shop of Horrors, all students will perform one song from the selections provided in this packet. You should also prepare one monologue, as you may be asked to perform it during your audition. Not every student will be asked to present their monologue, so please don't be discouraged or read into it if we don't ask. Decisions about who reads a monologue are based on what we need to see during the casting process and are not an indication of your audition or your chances of being cast.
 These audition materials have been selected to help you showcase your vocal ability, acting skills, and storytelling. While memorization is not required, it is highly encouraged, as it allows you to focus more on your performance, character choices, and connection with the material. You are welcome to use the script during your audition if needed. 
Our goal is to see your potential, so come prepared, make bold choices, and have fun!
 
Audition Song Selection Notes
In the audition packet, you will find separate audition song selections for male and female roles. 
Female Audition Songs:
You will see audition songs for Audrey and for The Urchins (Crystal, Ronette, and Chiffon). If you are auditioning for Crystal, Ronette, Chiffon, or the female ensemble, choose one of the three Urchin vocal parts that you feel most comfortable singing. However, we encourage you to become familiar with all three parts, as flexibility during callbacks and casting is always helpful.
 
Male Audition Songs:
You will see audition songs for Seymour and Mr. Mushnik. If you are auditioning for Orin Scrivello (the Dentist), Audrey II, any of the additional featured roles, or the male ensemble, please prepare the Mr. Mushnik audition song. 


Be sure to list all characters you’re interested in on your audition form. During callbacks, you may be asked to prepare an additional song specific to that character.
 
PREPARING YOUR AUDITION SONG 
During the required Audition Workshop, Mrs. Frazier will briefly review the audition songs and answer any questions you may have. However, this is not a full rehearsal, so you are expected to practice and learn your song independently before your audition. 
Practice tracks, and other audition resources will be posted in the Auditions TEAMS. Be sure to join the team and use these materials to prepare for your audition.
 
   
AUDITIONS
Make sure to sign up for an audition slot. Auditions will be held in the Theatre Room (1125). Please arrive 5–10 minutes before your scheduled audition time and check in when you arrive.  Bring your completed audition form with you. A resume and headshot are welcome but are not required. When your name is called, you'll introduce yourself and perform your audition song. Be prepared to also perform your monologue if we ask to see it. Not every student will be asked to present their monologue, and this should not be interpreted as a reflection of your audition or your casting potential. We simply use monologues when we need additional information to help with the casting process.

 The directing team may also ask you to sing a section again, try a different interpretation, or read additional material. This is a normal part of the audition process and gives us the opportunity to see your range and versatility.

Once your audition is complete, you are free to leave.

CALLBACKS
:
​Callbacks are by invitation only and are an opportunity for the directing team to see specific performers in additional material. Receiving a callback does not guarantee that you will be cast, and not receiving a callback does not mean you will not be cast. Many casting decisions can be made from the initial audition alone.

 
Wednesday, August 12 | 3:30–5:00 PM
Movement Callback (By Invitation Only)
Students invited to the movement callback should come prepared to move and participate in light dance combinations. No prior dance experience is required; we're simply looking at your movement ability, stage presence, and willingness to learn. Please wear comfortable clothing and closed-toe shoes that you can move in.
Wednesday is an early release day. If you need to remain on campus until callbacks begin, we will provide a supervised space for you to wait after school.
​

Thursday, August 13 | 3:30–4:30 PM
Acting & Singing Callbacks (As Needed, By Invitation Only)
Additional callbacks may be held on Thursday for specific roles or combinations of actors. Invitations will be sent out as needed. Students invited should plan to attend for the full callback session unless otherwise instructed.
 
CASTING ANNOUNCEMENT
Casting decisions will be communicated individually through TEAMS on the afternoon of Friday, August 14.
 
Please remember that casting a show is like putting together a puzzle. Every role is cast based on the needs of the production as a whole. If you are cast, congratulations! If you are not cast, don't be discouraged. We encourage you to continue auditioning, developing your skills, and taking advantage of future opportunities. Every audition is a chance to grow as a performer.
 
Thank you to everyone who auditions. We appreciate the time, effort, and courage it takes to put yourself out there, and we can't wait to begin this production with you!
 
FIRST REHEARSAL (Singing Rehearsal):
The first rehearsal for Little Shop of Horrors will be held on Saturday, August 15, from 9:00 AM–12:00 PM in the Theatre Room.
 
Please note that this is a Saturday rehearsal and is an important part of our rehearsal process. Our first rehearsal will primarily focus on music and vocal instruction, giving the cast an opportunity to begin learning the score and singing together as an ensemble. Additional information, schedules, and expectations for the production will also be shared.
 
All cast members are expected to attend.
 
REHEARSALS:
Rehearsals will be scheduled after school Monday-Friday (with some Wednesdays and Saturday) from 3:25-5:30/6:00pm (Please note that there is a bus available on Mon, Tues, and Thurs at 5:00pm). There will be at least two Saturday rehearsals before tech week. A detailed rehearsal schedule will be sent out through TEAMS and passed out during our first rehearsal. 

Little Shop of Horros Synopsis:
Set in the 1960s on Skid Row, Little Shop of Horrors tells the story of Seymour Krelborn, a shy and awkward florist's assistant who discovers a mysterious plant after a total eclipse of the sun. He names the strange plant Audrey after his coworker and longtime crush. As the plant begins to attract attention and bring Seymour fame and fortune, it reveals an unusual appetite that forces Seymour to make increasingly difficult choices. Filled with memorable characters, hilarious comedy, catchy doo-wop inspired music, and just a little bit of horror, Little Shop of Horrors is a quirky musical about love, ambition, and the consequences of getting everything you've ever wanted.
 
Content Notice: Little Shop of Horrors contains stylized depictions of violence, fantasy horror, abusive relationships, mild adult themes, and references to death. All content will be presented in a theatrical and age-appropriate manner for a high school production.

Characters:
MALE CHARACTERS:

Seymour Krelborn 
Tenor A2-G4
A meek and dejected assistant at a flower shop who happens upon a strange plant, which
he affectionately names "Audrey Il" after his crush at the shop. Little does he know that this
unusual plant will develop a soulful R & B voice, an attitude, & an unquenchable thirst for
human blood. Must be able to dance.
 
Voice of Audrey II (The Plant) Bass/Baritone G2-G4
Must be a rich, full "gospel and R & B-like" voice. All acting is done offstage, so must have a
lot of vocal inflection.
 
Mr. Mushnik 
Baritone G2-F4
The opportunistic owner of the failing Skid Row Flower Shop, where Seymour & Audrey
work. He is money-hungry and manipulative.
 
Orin
Baritone G2-F4
Audrey's abusive dentist-boyfriend. A maniacal, motorcycle-riding tough guy. He is tall,
dark, handsome, & a sadomasochist.
 
Audrey Il (puppeteer) **Can be male or female
Must be physically able to run the puppet and convey emotions & the dialogue from the
Audrey Il voice actor.
 
Ensemble
There are many parts for ensemble characters, including many with lines and a few small
solos. Those male parts include: Berstein, Skip Snip, Patrick Martin, & Customer. Ensemble members will also be asked to play various roles including flower shop customers, and members of Skid Row.
 

 
FEMALE CHARACTERS:
 
Audrey 
Mezzo-Soprano A-flat 3-D5
A gum-snapping, bleached blonde secret love of Seymour. Lacking any education or self-
esteem, she suffers from feelings of hopelessness. Must be able to act and do "over-the-top"
characters.
 
Crystal, Ronnette, & Chiffon 
Mezzo-Sopranos A-flat 3-F5
Singing Trio - Does the majority of the singing in the show - must be very strong
singers & dancers. Reminiscent of a group similar to the Supremes. Young, smart,
hip, & sassy.
 
Note: Depending on the needs of the production and the audition pool, the directing team may cast additional Urchins to perform alongside Crystal, Ronette, and Chiffon. These performers will sing, dance, and help bring the world of Skid Row to life throughout the show.
 
Audrey II (puppeteer) **Can be male or female
Must be physically able to run the puppet and convey emotions & the dialogue from the
Audrey II voice actor.
 
Ensemble
There are many parts for ensemble characters, including many with lines and a few small
solos. Those female parts include: Mrs. Luce, Interviewer, and Customer. Ensemble
members will also be asked to play various roles including flower shop customers,
and members of Skid Row.


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